and this from the Lee and Low website:
If you are a minority/person of color and you have aspired to becoming a writer (yours truly speaks in the first person on this one) you may look at this and become convinced that the odds of becoming a bestselling author are slim, or if you are writing a book with a lot of minority characters (includes LGBTQ) in it your novel will not sell. While I am not sure what Lee and Low think the primary cause of the dearth of non-heretosexual Caucasian authors and characters are, I can offer my best guesses for a few of these items (warning: my opinions on most matters are well-informed and based on my expertise and/or knowledge of a subject. If facts bother you, this is not the blogsite for you!):
First off I am surprised only 14% of movies have a female protagonist. They may be referring to movies like Lucy or The Hunger Games where the primary protagonist is female. The lack of villains of color (assuming Darth Vader doesn’t count) is likely due to the fact that Caucasians dominate Hollywood and there is fear that if they make the “bad guy/girl” a minority they will be charged with racism, so it’s safer just to make the villain Caucasian.
As for the books, the first truth is well-read and well-educated people tend to become authors. Well, the sad reality is that many Black and Hispanic children are behind White and Asian peers when it comes to reading and writing. In some states, like Delaware where I live, the difference can be as much as two full grade levels difference (i.e. White child in 6th grade reads like a 6th grader should, Black or Hispanic child are at 4th grade level). Children who don’t grow up around books and who can read them are less likely to want to write them someday.
The other truth is income-based; Many low-income children grow up in a single-parent household, and often that single parent does not read to the children on a regular basis the way parents with higher incomes or education read to their kids. Since reading has long been seen as something predominately solid middle, upper-middle, and upper-classes do, and most Americans in those categories are White, then it’s logical most authors will come from households where reading was encouraged over home where it is not.
It’s also therefore logical that the vast majority of those whose jobs depends on writing of some kind, including agents, publishers, editors, book reviewers, screenwriters, movie producers, directors, etc., come from the same backgrounds. Don’t believe me? Go look for an agent or publisher and tell me what seems to stand out. If indeed the facts mentioned above are in any way related to the types of books published and movies made, then you cannot expect movies and books which are “different” to become blockbusters without a major change in the movie making and literature world.
The most logical reason then for the lack of POC in books/movies has more to do with who writes and who publishes vs. inherent racism and discrimination against authors of color, but it would be wrong to say there is no prejudice whatsoever anywhere in Hollywood and in literature. Accept that if you are of Hispanic descent (yours truly) or some other non-White background you will feel as though the already-challenging odds of getting published are even harder, especially if you happen to write about a theme which is “different” than what usually fills the bestseller lists or makes blockbuster franchises. It may seem unfair but it is the cold, hard truth.
There is, however, hope for you.
The best advice I can give is never to quit writing or producing movie content. If you do then you simply create a self-fulfilling prophecy. Write the book or movie script YOU want, not what someone tells you is “acceptable” for publication or production. What should matter is the quality of the story and not whether some major publisher or distributor deems it among the “chosen ones” based on pre-determined criteria and/or whether YOU THE AUTHOR are among the “approved ones” based on your age or what you look like.
One suggestion is to examine your own personal life or the life of someone close to you and look for something unusual or which stands out from the experiences you would expect the average American has.
For example, if you were ever involved in gang activity, but now you are out of it, that’s a good story right there. You can write a story about gangs better than someone who was never in a gang or who didn’t know gang-members personally. If you were in the military in any country, write a fictional story based on your experience, whether or not it is a military novel. In my case I infused elements of my Boy Scout camping days in the novel I am currently editing. If you were born poor or homeless or on a tribal reservation, create a story based on how you lived and how you felt. There’s an old saying “people write what they known” and it’s true. Use your unique life experiences to your advantage in your writing!
COMING UP NEXT: novels for male audiences. Do guys even read books anymore? Or is the future of fiction going to belong to the “chick-lit” genre which basically means romance novels (paranormal or normal doesn’t matter) or dystopian thrillers with female heroines? Stay tuned.
COMING UP SOON: will also post some vlogs on some topics I care about and repost them here. For this upcoming episode I have a couple things to say about “The Fault in Our Stars” and its author John Green. Some flattering, some less so. Stay tuned.